hyperactavis:

capacity:

If I yell at a child and I see them give me that terrified look of fear that I’m going to hurt them or fear that I don’t love them anymore it pierces right through me. Most parents couldn’t care less I see it all the time. In public I’d rather a child be talkative and run around than witness a mother grab n yank him with all her strength and threaten him and cuss him out just to save me the trouble of existing in a room with a kid being a kid. They have no idea how much more disturbing it is for me to see that kid go from having wonder and whimsy in his eyes to actual fear real deep all encompassing fear that becomes his whole world. How does that not fuck you up like most people are just ugh I’m sorry it’s just so soulless to me it creeps me out bc the parent will switch to smiley happy face to talk to you right after traumatizing their child in public and I’m expected to what …. Fuckin weirdos

this post reminds me of something I read recently by a former member of the Black Panthers, Ashanti Alston:

“Poor child has no idea that its dependency upon those who raise him/her is gonna cost them that natural, playful, soulful zest for life; its psychic and biological health and development twisted and suffocated by a series of traumatic experiences designed and invoked in the name of God and the American Way and good child-rearing practices to produce a powerless, dependent, fearful, self-enslaving, law-abiding citizens (first- and second-class). Its sad that parents don't see the real damage they inflect on their children in their rearing methods, but the end-result always show in the inability of people in general to govern their own lives without an authoritarian figure hovering over them; it shows in their apathy, hopelessness and feelings of insignificance. After the coup d'etat of the Family Institution over the natural freedom and aliveness of the child, that child is trained into an adulthood in which it will continue to repress freedom (its full human developmental capacities) and continue the whole process anew in its offspring. What was done to your parents in childhood, they did to you, and you, in turn, do it to yours. And so on, never thinking about the harmful consequences of blindly carrying on traditions which distort our humanity. It is here, though, and in this way of words and behavior, that the sexism, racism, capitalism, the religious, intellectual and moral belief systems, as well as the lying, dishonesty, irresponsibility, emotional denial, liberalism, manipulation, egotism, slavishness, etc. are taught and passed on.”ALT

(Source)

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embroiderycrafts:
“I made this for a fellow redditor! 🌈✨ Frankie the kitty relaxing on a fluffy cloud ☁️ by No-Zone-3429
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embroiderycrafts:

I made this for a fellow redditor! 🌈✨ Frankie the kitty relaxing on a fluffy cloud ☁️ by No-Zone-3429

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austinkleon:

One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

—Annie Dillard, The Writing Life

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jadeseadragon:

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Michelle Thompson 🎨 @artistmichellethompson

The Time Machine, oils on stretched canvas, 62" × 54"

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jeannepompadour:

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Egyptian artist Hussein Bicar (1913 – 2002)

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artparfilo:

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Original Oil Painting

Available for sale on Etsy

https://www.etsy.com/listing/1609815839/

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oncanvas:

A Palestine Matriarch
Girl with Grapes
Hebron
Jaffa Orange Tree
Married Woman from Bethlehem
Shepherd Playing Flute
Shepherd Scenes
Women from Ramallah
Women with Water Jars
Girl from Ramallah

A Land Without People series by Palestinian artist Dana Barqawi, 2018

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javierperezartist:
“aria da capo by Javier Pérez
2008, sculpture, polyester resin, horse manes dyed in red, carillon by Reuge Music (limited edition),, motorized mechanisms, mirror, 280 x 110 x 110 cm. View of the Javier Pérez exhibition “Objetos del...

javierperezartist:

aria da capo by Javier Pérez

2008, sculpture, polyester resin, horse manes dyed in red, carillon by Reuge Music (limited edition),, motorized mechanisms, mirror, 280 x 110 x 110 cm. View of the Javier Pérez exhibition “Objetos del deseo” at the Espai Quatre, Casal Sollerich, Palma de Mallorca, Spain, 2009

1,212 notes